THE END OF ART AND PATOČKA’S PHILOSOPHY OF ART

the aesthetic dimension of howard barkers art: a frankfurtian approach to scenes from an execution and no end of blame

رابطه ی میانِ هنر و شرایطِ اجتماعیِ زایش آن همواره در طولِ تاریخ دغدغه ی ذهنی و دل مشغولیِ اساسیِ منتقدان و نیز هنرمندان بوده است. از آنجا که هنر در قفس آهنیِ زندگیِ اجتماعی محبوس است، گسترش وابستگیِ آن با نهاد ها و اصولِ اجتماعی پیرامون، صرفِ نظر از هم سو بودن و یا غیرِ هم سو بودنِ آن نهاد ها، امری اجتناب ناپذیر به نظر می رسد. با این وجود پدیدار گشتنِ چنین مباحثِ حائز اهمییتی در میان منتقدین، با ظهورِ مکتب ما...

Philosophy, Art and Critique: A (short) conversation with the “other”

The article sketches a nexus between philosophy, art (poetry) and critique with a particular emphasis on the contribution of classical Muslim philosophers. At the same time, it demonstrates how luminaries such as Omar Khayyam and Ibn Sina, contributed to the renewal of philosophy as a freedom seeking exercise and as a means to pursue happiness through knowledge. In the second&nbs...

Critique of Research Books (Art)/ The Art Economics of Art: A Look at Contemporary Art Economics; Markets, Strategies, and the Star-making Systems, Marzieh Eftekhari

'After the End of Art'

The Expression of the Divine Order Through the Art of Sculpture in the Greek Art Religion (According to Hegel’s Lectures on Fine Art and his Phenomenology of Spirit)

The art of Greek sculpture is the most complete and appropriate visual form of expression of the divine in the Greek art religion and similar types in the earlier and later religions. In Greek sculpture, form and content are in balance and interact with each other. The Spirit and the material have no dominion over one another. The spirit (divine) recognizes as its proper home the human body, an...